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About · Nemo Gould, a.k.a. nemomatic

Chairman of the Hoard.

Artist Nemo Gould, a.k.a. nemomatic, is a compulsive collector of things and a maker of all sorts: kinetic sculpture built from what the world threw away, made in Oakland, California.

The Oakland studio · from “Portraits of Another Life”
The Oakland studio · from “Portraits of Another Life”
The artist
Self-described “Chairman of the Hoard”, Nemo Gould is a master accumulator of both materials and building techniques. His Oakland studio is a veritable museum of old objects and technology, which he blends into his signature style of kinetic sculpture.

His work pushes the limits of found-object art and asks the viewer to experience it through interaction — a crank, a button, a motion sensor. Gould received his BFA from the Kansas City Art Institute in 1998 and his MFA in sculpture from U.C. Berkeley in 2000. His work is held in museums and collections throughout the U.S. and abroad.

Nemo
BornMinneapolis, 1975
StudioOakland, California
BFAKansas City Art Institute, 1998
MFASculpture, U.C. Berkeley, 2000
MaterialsFound and salvaged — nothing cast
Also known asnemomatic
In Nemo’s words

How a piece happens

The vast majority of the work on this site is the product of found and salvaged materials. Each sculpture takes a long time to build, and nearly as long is spent searching for “raw” material: scrap-metal yards, second-hand stores and dumpsters. All of it is brought to the studio, cleaned, stripped of anything unusable and sorted for later. The system of organisation is a key to the work. To all you fellow hoarders out there: if you don’t know what’s buried under that pile in the corner, it’s just garbage.

The range of objects has forced a range of skills not often associated with art-making. The abundance of aluminium, for example: those pieces are formed by TIG-welding many found elements together and sanding out the seams. Contrary to how they may look, no raw metal is cast. Wood is stripped of old stains and varnish and resurfaced; holes are filled, cracks mended, missing parts remade from other scraps. The urge to make more engaging sculpture led to electronics, wiring, mechanical engineering and machining — and once again, elements of consumer devices are salvaged, repaired and given a new job.

Find

Scrap yards, thrift stores, dumpsters. The right typewriter case can take a year to turn up.

Sort

Everything cleaned, stripped and shelved by type in the Oakland studio. The system is the work.

Weld

Found aluminum TIG-welded and sanded seamless. No casting — every curve was once something else.

Wire

Motors, panel meters, LEDs, hand-crank generators. Salvaged, repaired, given a new job.

Animate

A crank, a button, a motion sensor. It isn’t finished until it does something when you touch it.

Track record

Selected shows & press

The whole story →
2026Portraits of Another Life — short documentaryOnline
2023The de Young Opende Young Museum, San Francisco
2023TechnostalgiaMuseum of American Heritage, Palo Alto
2021Reverse Engineered — pop-up exhibitOakland
2014TentaclesMonterey Bay Aquarium
2008Prototype This!Discovery Channel
2008Robots: Evolution of a Cultural IconSan Jose Museum of Art
2007Artist in ResidenceRecology, San Francisco
PressWired · Make · SF Chronicle · Travel + Leisure
Commissions & shop

Have one built around your story.

Commissions start with a conversation. Originals in the studio ship crated from Oakland.

Start a commission

See what’s available →

All images © Nemo Gould. Credit the artist and link back when reposting; no commercial use without written permission — email nemo@nemogould.com.